Cut Snake is not your average crime thriller, it also explores the deeper and darker mysteries of. Snake latches onto womans nose, paramedics cut its head off. The relationship between Sparra and Pommie is one of an unhealthy co-dependency, Sparra needed Pommie for protection and possibly a father figure, whilst Pommie could manipulate Sparra and his pent up rage and frustration as a weapon. It’s no Animal Kingdom, but then what is? Sullivan Stapleton’s dangerous performance alone is worth the admission fee. Cut Snake - Clip Call me Pommie (English) HD. While there are some problems with the film’s denouement (the stereotypical policemen and a slightly unbelievable occurrence in the final scene which I won’t go into, as it would be a huge spoiler), this is still an absorbing watch. As viewers, we are forced to reassess everything we thought we knew about these characters. Cut Snake manages to surprise with its complex characters and distinctive cinematography, elevating it above your run-of-the-mill ‘Aussie’ flick. when a man from Sparras past called Pommie (Sullivan Stapleton) shows up. It seems he is just a massively violent, selfish arsehole, so it is genuinely surprising when the plot takes a turn at its midpoint. Shame on me, really, for walking into a film with low expectations simply because it’s a rural Australian crime drama i.e. Cut Snake is not your average crime thriller, it also explores the deeper and. Fresh out of prison, he comes to Melbourne from Sydney and basically fucks up the lives of everyone he encounters. The former stuck between a rock and hard place and De Gouw as the feisty-yet-confused-as-hell woman in his new life, struggling to reconcile the past life of the man she loves.īut it is Stapleton that this story is all about. Played with intensity and menace by Sullivan Stapleton, Pommie dominates the film, threatening to erupt into sudden violence at any point, the cut snake of the Australian idiom of the title. Its up for debate in Cut Snake, where one smart spin on crime caper conventions just isnt enough. The way he carries himself, the look in his eyes and his language are all immensely threatening, like every other character is one wrong word away from getting their head kicked in. This steadily builds to a climax through the 90 minutes of the film. Things are turned upside down when an old acquaintance, Pommie (Sullivan Stapleton) tracks him down and Sparra finds himself drawn back into a world that he thought he had left behind.ĭirector Tony Ayres manages to create a mood of simmering tension, from the moment Pommie appears onscreen in the opening shot. Cut Snake is a Melbourne-based crime drama set in in mid-1970s, focussing on the story of Sparra Farrell (Alex Russell), an ex-convict trying to lead a straightforward, quiet life with his beautiful bride-to-be, Paula (Jessica De Gouw). An inconsistent film covering too much familiar ground, Cut Snake often gets distracted by the need to service an admittedly striking (though largely pointless) 1970s production design.
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